Standing on my step kinda felt like freedom
Malibu one suitcase short of leaving
You were the driver, I was the reason
There was mascara on your shirt
If I'da known where that left turn was leading
You'da seen me running in a rear view
Like you tied my heart to your car turn the key in three, two
One day you called me baby, these days it's only 80
Proof you probably hate me, I don't blame you I blame me
For them sunset taillight's sinking
Tonight I'm just thinking
Three words, too late, damn girl you're the one that got away
Counting on a bottle to flood these memories
They're still floating and it's almost empty
Take the whiskey rain of this century
To drown you out
Make you do a U-turn
If it was me it was up to
Girl just like that I'd take you back in three, two
One day you called me baby, these days it's only 80
Proof you probably hate me, I don't blame you I blame me
For them sunset taillight's sinking
Tonight I'm just thinking
Three words, too late, damn girl you're the one that got away
Yeah in about three, two
One I'ma call you baby, try to change your mind 180
I know you probably hate me, I don't blame you I blame me
For them sunset taillight's sinking
Tonight I'm just thinking
Three words, too late, damn girl you're the one that got away
Tucker Wetmore - 3,2,1 Lyrics
Tucker Wetmore - 3,2,1 Lyrics
Official
We currently do not have these lyrics.
If you would like to submit them, please use the form below.
We currently do not have these lyrics.
If you would like to submit them, please use the form below.
English
Standing on my step kinda felt like freedom
Malibu one suitcase short of leaving
You were the driver, I was the reason
There was mascara on your shirt
If I'da known where that left turn was leading
You'da seen me running in a rear view
Like you tied my heart to your car turn the key in three, two
One day you called me baby, these days it's only 80
Proof you probably hate me, I don't blame you I blame me
For them sunset taillight's sinking
Tonight I'm just thinking
Three words, too late, damn girl you're the one that got away
Counting on a bottle to flood these memories
They're still floating and it's almost empty
Take the whiskey rain of this century
To drown you out
Make you do a U-turn
If it was me it was up to
Girl just like that I'd take you back in three, two
One day you called me baby, these days it's only 80
Proof you probably hate me, I don't blame you I blame me
For them sunset taillight's sinking
Tonight I'm just thinking
Three words, too late, damn girl you're the one that got away
Yeah in about three, two
One I'ma call you baby, try to change your mind 180
I know you probably hate me, I don't blame you I blame me
For them sunset taillight's sinking
Tonight I'm just thinking
Three words, too late, damn girl you're the one that got away
Malibu one suitcase short of leaving
You were the driver, I was the reason
There was mascara on your shirt
If I'da known where that left turn was leading
You'da seen me running in a rear view
Like you tied my heart to your car turn the key in three, two
One day you called me baby, these days it's only 80
Proof you probably hate me, I don't blame you I blame me
For them sunset taillight's sinking
Tonight I'm just thinking
Three words, too late, damn girl you're the one that got away
Counting on a bottle to flood these memories
They're still floating and it's almost empty
Take the whiskey rain of this century
To drown you out
Make you do a U-turn
If it was me it was up to
Girl just like that I'd take you back in three, two
One day you called me baby, these days it's only 80
Proof you probably hate me, I don't blame you I blame me
For them sunset taillight's sinking
Tonight I'm just thinking
Three words, too late, damn girl you're the one that got away
Yeah in about three, two
One I'ma call you baby, try to change your mind 180
I know you probably hate me, I don't blame you I blame me
For them sunset taillight's sinking
Tonight I'm just thinking
Three words, too late, damn girl you're the one that got away
Serving as Tucker Wetmore's first release since his celebrated debut EP, Waves on a Sunset, the infectious '3,2,1' continues the fascinating narrative that pervades that 2024 project.
Despite not being penned by Tucker Wetmore, '3,2,1' showcases the viral hitmaker's ability to deliver a contemporary country earworm, as he demonstrated on his first release, 'Wine Into Whiskey'. Somewhat aptly, '3,2,1' dropped almost a year to the day since we started hearing 'Wine Into Whiskey' on streaming platforms.
Throughout '3,2,1', Tucker Wetmore's charismatic drawl drifts captivatingly across the warm, cushioning instrumental, with the rhythm of the verses harking playfully back to a classic country sound. The bright and wonderfully twangy guitars combine with Wetmore's enchanting delivery to produce a certified country floor-filler.
The curtain opens on Tucker Wetmore watching his old flame driving off into the sunset, as he laments the fact that he didn't run after her or try to stop her from leaving. The protagonist recalls how, at the time, he didn't realise how pertinent this moment would be, with his ex-girlfriend seemingly driving out of his life for good.
During the hook, which follows the chronological '3,2,1' structure, Tucker Wetmore inventively carries the phrase '80 Proof' whiskey over into the next line, describing how he's gone from being called 'baby' to being all alone with a bottle to drown his sorrows. He describes this as 'proof' that she probably hates him now, with Tucker Wetmore shrugging his shoulders and admitting he blames himself too, as he again suggests that he should've fought harder to convince her to stay.
Wetmore echoes the message of the chorus by stressing just how much whiskey it's going to take for him to numb the pain of the break-up, before confessing he'd happily take her back if she ever decided to turn the car around and run back to him.
Interestingly, this seems to be another chapter in the story of the narcissistic relationship that pervaded Waves on a Sunset, with the protagonist's feeling of guilt at how the romance ended on '3,2,1' potentially just a symptom of his ex being a narcissist. Tucker Wetmore touched on this broader theme in his 2024 interview with Holler.
-holler.country.com
Performed By:
Tucker WetmoreDespite not being penned by Tucker Wetmore, '3,2,1' showcases the viral hitmaker's ability to deliver a contemporary country earworm, as he demonstrated on his first release, 'Wine Into Whiskey'. Somewhat aptly, '3,2,1' dropped almost a year to the day since we started hearing 'Wine Into Whiskey' on streaming platforms.
Throughout '3,2,1', Tucker Wetmore's charismatic drawl drifts captivatingly across the warm, cushioning instrumental, with the rhythm of the verses harking playfully back to a classic country sound. The bright and wonderfully twangy guitars combine with Wetmore's enchanting delivery to produce a certified country floor-filler.
The curtain opens on Tucker Wetmore watching his old flame driving off into the sunset, as he laments the fact that he didn't run after her or try to stop her from leaving. The protagonist recalls how, at the time, he didn't realise how pertinent this moment would be, with his ex-girlfriend seemingly driving out of his life for good.
During the hook, which follows the chronological '3,2,1' structure, Tucker Wetmore inventively carries the phrase '80 Proof' whiskey over into the next line, describing how he's gone from being called 'baby' to being all alone with a bottle to drown his sorrows. He describes this as 'proof' that she probably hates him now, with Tucker Wetmore shrugging his shoulders and admitting he blames himself too, as he again suggests that he should've fought harder to convince her to stay.
Wetmore echoes the message of the chorus by stressing just how much whiskey it's going to take for him to numb the pain of the break-up, before confessing he'd happily take her back if she ever decided to turn the car around and run back to him.
Interestingly, this seems to be another chapter in the story of the narcissistic relationship that pervaded Waves on a Sunset, with the protagonist's feeling of guilt at how the romance ended on '3,2,1' potentially just a symptom of his ex being a narcissist. Tucker Wetmore touched on this broader theme in his 2024 interview with Holler.
-holler.country.com
From Album: What Not To
Genre(s): Country
Language: English
Released: April 24th, 2025
Year: 2025