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Lifehouse Lyrics

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From the Album 1. Hurricane 2. One For The Pain 3. Flight 4. Runaways 5. Firing Squad 6. Wish 7. Stardust 8. Alien 9. Central Park 10. Yesterdays Son 11. Hourglass 12. Hindsight 13. Angeline

Other Songs Aftermath All In All In All All That Im Asking For Along The Way Always Somewhere Close Am I Ever Gonna Find Out Anchor Barricade Beautiful Beginning [Acoustic Version] Best Of Me Better Luck Next Time Better Part Of Me Between The Raindrops Blind Breathing Bridges Broken Butterfly By Your Side Chapter One Climb Cling and Clatter Come Back Down Crash And Burn Crown Of Scars Dance Days Go By Disarray Dont Wake Me When Its Over Easier To Be Eighties Empty Space Everybody Is Someone Everything Fairy Tails and Castles Fairytales And Castles Fairytales Sand Castles Fairytales Sandcastles Falling In First Time Fool From Where You Are Gods Lemonade Good Enough Good Enough song Goodbye Gotta Be Tonight Had Enough Halfway Gone Here Tomorrow Gone Today How Long Hurt This Way I Want You To Know I Want You to Know [Previously Unreleased Track; Bonus Track] If I Dont Have You If This Is Goodbye In Your Skin Into The Sun It Is What It Is Joshua Just Another Name Just To Be Where You Are Lady Day Learn You Inside Out Make Me Over May Me You And The People Mesmerized Midnight In Philidelphia Moveonday Mudpie My Precious Near Life Experience Nerve Damage Nobody Listen Only One Only Youre The One Ordinary Pain Out of Breath Pins and Needles Quasimodo Revolution Cry Right Back Home Rolling Off The Stone Sick Cycle Carousel Signs Of Life Signs of Life [Previously Unreleased Track; Bonus Track] Silent Night Simon Six Cycle Carousel Sky Is Falling Slow Motion Smoke and Mirrors Smoke & Mirrors Somebody Elses Song Somewhere In Between Spin Stand Stanley Climbfall Storm Take Me Away Take Me Higher Take The Weight Of The World The Beginning The Edge The End Has Only Begun The Joke Today Trying Undone Unknown Waiting On The Sun Walking Away Wash Well Never Know Whatever It Takes Whats Wrong With That Where I Come From Who We Are Winds Of Change Wrecking Ball You And Me You Belong To Me
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Lifehouse is an American rock band from Los Angeles. The band came to mainstream prominence in 2001 with the hit single Hanging By A Moment. They have sold over 15 million records worldwide. -Wikipedia
Members:
Jason Wade – lead vocals, guitars
(1999–present)

Rick Woolstenhulme, Jr. – drums, percussion
(2000–present)

Bryce Soderberg – bass guitar, backing vocals, lead vocals
(2004–present)

Name Origin:
Jason Wade explained: "It's about what we do as a band and for me personally. Most of this record is about my life and about life's circumstances. Not only my life, but other peoples' lives. We thought Lifehouse was a good name for it."

From: Los Angeles, California, USA
Genre(s): Alternative rock, post-grunge, pop rock
Active From: 1999–present
Associated Acts: Blyss, AM Radio, Daughtry, Kevin Rudolf
Did You Know:
• They were originally a worship band for FKA, the youth group at the Malibu Vineyard church

Quotes:
you still my heart & you take my breath away
would u take me in, would you take me deeper
cuz you're all i want...you're all i need...
you're everything*
-Lifehouse

Jason Wade: I was very, very shocked -- all of us were -- because our record label was very frank with us and, and let us know how difficult it was going to be out there, and how competitive it is. And they were giving us figures of like only two percent will ever sell like a million records. We realized that if we were going to make it work, we were just going to have to really work hard and tour a lot and develop a very strong fan base. So when the song started taking off on its own, we didn't think it was going to be that easy. We were all completely shocked and enamored with the whole experience. I was only 20 years old.

When the single started doing really well, we started making some more money -- life becomes a little bit easier than being a starving musician playing clubs. That's great for me, because when I'm worried and stressed out about money, it takes away from my songwriting. It's given me the opportunity not to worry about that stuff, just to worry about the things that really matter to me, which is lyrics and music.

JW: Yeah, oh -- everyone did. I mean, I read a bunch of reviews of why people thought that it was just the right timing in rock radio and all this stuff, and pop radio wasn't playing that much rock music. A lot of people had different theories of why it did so well, and now I just try to stay out of it. I think if people figured out how to do it every time they would, and then every record company would be rich! It has a lot to do with timing, it just has a lot to do with luck -- you know, just being in the right place at the right time.

At the shows, right after we get off stage, we cool off for about fifteen minutes and then we go sign autographs for about an hour and half every night and get to talk to everybody. To me, that's probably the best part -- to get to hear people's stories and hear how your music has impacted them. I think without that, you don't have a healthy perspective of what you're doing, because really, you're not playing music for yourself. You're playing music for your fans -- trying to pick the songs that they want to hear. They're paying for the tickets to come see you, so I think it's a little self-indulgent sometimes when bands decide not to play their hits and don't really take care of their fans. I think that's they're the most important part of all this. I know that without them we'd be playing to empty clubs. I think people take that for granted sometimes -- that people show up, and drive three hours out of their way to come see you play live. We're just giving it one hundred and ten percent on stage, and really trying to pick their favorite songs to play, because we're doing it for them.

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