Sprawling on the fringes of the city
In geometric order
An insulated border
In between the bright lights
And the far unlit unknown
Growing up it all seems so one-sided
Opinions all provided
The future pre-decided
Detached and subdivided
In the mass production zone
Nowhere is the dreamer or the misfit so alone
Chorus
(Subdivisions)
In the high school halls
In the shopping malls
Conform or be cast out
(Subdivisions)
In the basement bars
In the backs of cars
Be cool or be cast out
Any escape might help to smooth the unattractive truth
But the suburbs have no charms to soothe the restless dreams of youth
Drawn like moths we drift into the city
The timeless old attraction
Cruising for the action
Lit up like a firefly
Just to feel the living night
Some will sell their dreams for small desires
Or lose the race to rats
Get caught in ticking traps
And start to dream of somewhere
To relax their restless flight
Somewhere out of a memory of lighted streets on quiet nights...
Chorus
Rush - Signals Album Lyrics
Rush - Signals Lyrics
Writer: ALEX ZIVOJINOVICH, GARY LEE WEINRIB, NEIL ELWOOD PEART
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
The Analog Kid
A hot and windy August afternoon
Has the trees in constant motion
With a flash of silver leaves
As they're rocking in the breeze
The boy lies in the grass with one blade
Stuck between his teeth
A vague sensation quickens
In his young and restless heart
And a bright and nameless vision
Has him longing to depart
Chorus
You move me
You move me
With your buildings and your eyes
Autumn woods and winter skies
You move me
You move me
Open sea and city lights
Busy streets and dizzy heights
You call me
You call me
The fawn-eyed girl with sun-browned legs
Dances on the edge of his dream
And her voice rings in his ears
Like the music of the spheres
The boy lies in the grass, unmoving
Staring at the sky
His mother starts to call him
As a hawk goes soaring by
The boy pulls down his baseball cap
And covers up his eyes
Chorus
Too many hands on my time
Too many feelings
Too many things on my mind
When I leave I don't know
What I'm hoping to find
When I leave I don't know
What I'm leaving behind...
Has the trees in constant motion
With a flash of silver leaves
As they're rocking in the breeze
The boy lies in the grass with one blade
Stuck between his teeth
A vague sensation quickens
In his young and restless heart
And a bright and nameless vision
Has him longing to depart
Chorus
You move me
You move me
With your buildings and your eyes
Autumn woods and winter skies
You move me
You move me
Open sea and city lights
Busy streets and dizzy heights
You call me
You call me
The fawn-eyed girl with sun-browned legs
Dances on the edge of his dream
And her voice rings in his ears
Like the music of the spheres
The boy lies in the grass, unmoving
Staring at the sky
His mother starts to call him
As a hawk goes soaring by
The boy pulls down his baseball cap
And covers up his eyes
Chorus
Too many hands on my time
Too many feelings
Too many things on my mind
When I leave I don't know
What I'm hoping to find
When I leave I don't know
What I'm leaving behind...
Writer: NEIL ELWOOD PEART, GARY LEE WEINRIB, ALEX ZIVOJINOVICH
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
Chemistry
Signal transmitted
Message received
Reaction making impact
Invisibly
Elemental telepathy
Exchange of energy
Reaction making contact
Mysteriously
Eye to I
Reaction burning hotter
Two to one
Reflection on the water
H to O
No flow without the other
Oh but how
Do they make contact
With one another?
Electricity? Biology?
Seems to me it's Chemistry
Emotion transmitted
Emotion received
Music in the abstract
Positively
Elemental empathy
A change of synergy
Music making contact
Naturally
One, two, three
Add without subtraction
Sound on sound
Multiplied reaction
H to O
No flow without the other
Oh but how
Do we make contact
With one another?
Message received
Reaction making impact
Invisibly
Elemental telepathy
Exchange of energy
Reaction making contact
Mysteriously
Eye to I
Reaction burning hotter
Two to one
Reflection on the water
H to O
No flow without the other
Oh but how
Do they make contact
With one another?
Electricity? Biology?
Seems to me it's Chemistry
Emotion transmitted
Emotion received
Music in the abstract
Positively
Elemental empathy
A change of synergy
Music making contact
Naturally
One, two, three
Add without subtraction
Sound on sound
Multiplied reaction
H to O
No flow without the other
Oh but how
Do we make contact
With one another?
Copyright: Lyrics © Original Writer and Publisher
Digital Man
His world is under observation
We monitor his station
Under faces and the places
Where he traces points of view
He picks up scraps of conversation
Radio and radiation
From the dancers and romancers
With the answers but no clue
He'd love to spend the night in Zion
He's been a long while in Babylon
He'd like a lover's wings to fly on
To a tropic isle of Avalon
His world is under anesthetic
Subdivided and synthetic
His reliance on the giants
In the science of the day
He picks up scraps of information
He's adept at adaptation
Because for strangers and arrangers
Constant change is here to stay
Chorus
He's got a force field and a flexible plan
He's got a date with fate in a black sedan
He plays fast forward for as long as he can
But he won't need a bed
He's a digital man
We monitor his station
Under faces and the places
Where he traces points of view
He picks up scraps of conversation
Radio and radiation
From the dancers and romancers
With the answers but no clue
He'd love to spend the night in Zion
He's been a long while in Babylon
He'd like a lover's wings to fly on
To a tropic isle of Avalon
His world is under anesthetic
Subdivided and synthetic
His reliance on the giants
In the science of the day
He picks up scraps of information
He's adept at adaptation
Because for strangers and arrangers
Constant change is here to stay
Chorus
He's got a force field and a flexible plan
He's got a date with fate in a black sedan
He plays fast forward for as long as he can
But he won't need a bed
He's a digital man
Writer: NEIL ELWOOD PEART, GARY LEE WEINRIB, ALEX ZIVOJINOVICH
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
The Weapon
We've got nothing to fear -- but fear itself?
Not pain, not failure, not fatal tragedy?
Not the faulty units in this mad machinery?
Not the broken contacts in emotional chemistry?
With an iron fist in a velvet glove
We are sheltered under the gun
In the glory game on the power train
Thy kingdom's will be done
And the things that we fear are a weapon to be held against us...
He's not afraid of your judgement
He knows of horrors worse than your Hell
He's a little bit afraid of dying
But he's a lot more afraid of your lying
And the things that he fears are a weapon to be held against him...
Can any part of life be larger than life?
Even love must be limited by time
And those who push us down that they might climb
Is any killer worth more than his crime?
Like a steely blade in a silken sheath
We don't see what they're made of
They shout about love, but when push comes to shove
They live for the things they're afraid of
And the knowledge that they fear is a weapon to be used against them...
Not pain, not failure, not fatal tragedy?
Not the faulty units in this mad machinery?
Not the broken contacts in emotional chemistry?
With an iron fist in a velvet glove
We are sheltered under the gun
In the glory game on the power train
Thy kingdom's will be done
And the things that we fear are a weapon to be held against us...
He's not afraid of your judgement
He knows of horrors worse than your Hell
He's a little bit afraid of dying
But he's a lot more afraid of your lying
And the things that he fears are a weapon to be held against him...
Can any part of life be larger than life?
Even love must be limited by time
And those who push us down that they might climb
Is any killer worth more than his crime?
Like a steely blade in a silken sheath
We don't see what they're made of
They shout about love, but when push comes to shove
They live for the things they're afraid of
And the knowledge that they fear is a weapon to be used against them...
Writer: NEIL ELWOOD PEART, GARY LEE WEINRIB, ALEX ZIVOJINOVICH
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
New World Man
He's a rebel and a runner
He's a signal turning green
He's a restless young romantic
Wants to run the big machine
He's got a problem with his poisons
But you know he'll find a cure
He's cleaning up his systems
To keep his nature pure
Learning to match the beat of the Old World Man
Learning to catch the heat of the Third World Man
He's got to make his own mistakes
And learn to mend the mess he makes
He's old enough to know what's right
But young enough not to choose it
He's noble enough to win the world
But weak enough to lose it
He's a New World Man...
He's a radio receiver
Tuned to factories and farms
He's a writer and arranger
And a young boy bearing arms
He's got a problem with his power
With weapons on patrol
He's got to walk a fine line
And keep his self-control
Trying to save the day for the Old World Man
Trying to pave the way for the Third World Man
He's not concerned with yesterday
He knows constant change is here today
He's noble enough to know what's right
But weak enough not to choose it
He's wise enough to win the world
But fool enough to lose it
He's a New World Man...
He's a signal turning green
He's a restless young romantic
Wants to run the big machine
He's got a problem with his poisons
But you know he'll find a cure
He's cleaning up his systems
To keep his nature pure
Learning to match the beat of the Old World Man
Learning to catch the heat of the Third World Man
He's got to make his own mistakes
And learn to mend the mess he makes
He's old enough to know what's right
But young enough not to choose it
He's noble enough to win the world
But weak enough to lose it
He's a New World Man...
He's a radio receiver
Tuned to factories and farms
He's a writer and arranger
And a young boy bearing arms
He's got a problem with his power
With weapons on patrol
He's got to walk a fine line
And keep his self-control
Trying to save the day for the Old World Man
Trying to pave the way for the Third World Man
He's not concerned with yesterday
He knows constant change is here today
He's noble enough to know what's right
But weak enough not to choose it
He's wise enough to win the world
But fool enough to lose it
He's a New World Man...
Writer: NEIL ELWOOD PEART, GARY LEE WEINRIB, ALEX ZIVOJINOVICH
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
Losing It
The dancer slows her frantic pace
In pain and desperation,
Her aching limbs and downcast face
Aglow with perspiration
Stiff as wire, her lungs on fire,
With just the briefest pause
The flooding through her memory,
The echoes of old applause.
She limps across the floor
And closes her bedroom door...
The writer stare with glassy eyes
Defies the empty page
His beard is white, his face is lined
And streaked with tears of rage.
Thirty years ago, how the words would flow
With passion and precision,
But now his mind is dark and dulled
By sickness and indecision
And he stares out the kitchen door
Where the sun will rise no more...
Some are born to move the world
To live their fantasies
But most of us just dream about
The things we'd like to be
Sadder still to watch it die
Than never to have known it
For you, the blind who once could see
The bell tolls for thee...
In pain and desperation,
Her aching limbs and downcast face
Aglow with perspiration
Stiff as wire, her lungs on fire,
With just the briefest pause
The flooding through her memory,
The echoes of old applause.
She limps across the floor
And closes her bedroom door...
The writer stare with glassy eyes
Defies the empty page
His beard is white, his face is lined
And streaked with tears of rage.
Thirty years ago, how the words would flow
With passion and precision,
But now his mind is dark and dulled
By sickness and indecision
And he stares out the kitchen door
Where the sun will rise no more...
Some are born to move the world
To live their fantasies
But most of us just dream about
The things we'd like to be
Sadder still to watch it die
Than never to have known it
For you, the blind who once could see
The bell tolls for thee...
Writer: NEIL ELWOOD PEART, GARY LEE WEINRIB, ALEX ZIVOJINOVICH
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
Countdown
Lit up with anticipation
We arrive at the launching site
The sky is still dark, nearing dawn
On the Florida coastline
Circling choppers slash the night
With roving searchlight beams
This magic day when super-science
Mingles with the bright stuff of dreams
Floodlit in the hazy distance
The star of this unearthly show
Venting vapours, like the breath
Of a sleeping white dragon
Crackling speakers, voices tense
Resume the final count
All systems check, T minus nine
As the sun and the drama start to mount
The air is charged
A humid, motionless mass
The crowds and the cameras,
The cars full of spectators pass
Excitement so thick you could cut it with a knife
Technology...high, on the leading edge of life
The earth beneath us starts to tremble
With the spreading of a low black cloud
A thunderous roar shakes the air
Like the whole world exploding
Scorching blast of golden fire
As it slowly leaves the ground
Tears away with a mighty force
The air is shattered by the awesome sound
Like a pillar of cloud
The smoke lingers high in the air
In fascination
With the eyes of the world
We stare...
We arrive at the launching site
The sky is still dark, nearing dawn
On the Florida coastline
Circling choppers slash the night
With roving searchlight beams
This magic day when super-science
Mingles with the bright stuff of dreams
Floodlit in the hazy distance
The star of this unearthly show
Venting vapours, like the breath
Of a sleeping white dragon
Crackling speakers, voices tense
Resume the final count
All systems check, T minus nine
As the sun and the drama start to mount
The air is charged
A humid, motionless mass
The crowds and the cameras,
The cars full of spectators pass
Excitement so thick you could cut it with a knife
Technology...high, on the leading edge of life
The earth beneath us starts to tremble
With the spreading of a low black cloud
A thunderous roar shakes the air
Like the whole world exploding
Scorching blast of golden fire
As it slowly leaves the ground
Tears away with a mighty force
The air is shattered by the awesome sound
Like a pillar of cloud
The smoke lingers high in the air
In fascination
With the eyes of the world
We stare...
Writer: NEIL ELWOOD PEART, GARY LEE WEINRIB, ALEX ZIVOJINOVICH
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
Copyright: Lyrics © OLE MEDIA MANAGEMENT LP
Signals is the ninth studio album by Canadian rock band Rush, released on September 9, 1982 by Anthem Records. After the release of their previous album, Moving Pictures, the band started to prepare material for a follow-up during soundchecks on their 1981 concert tour and during the mixing of their subsequent live album Exit...Stage Left. Signals demonstrates the group's continuing use of synthesizers, sequencers, and other electronic instrumentation. It is the last album produced by their longtime associate Terry Brown, who had worked with them since 1974.
The album peaked at No. 1 in Canada, No. 3 in the United Kingdom, and No. 10 in the United States. In November 1982, the album was certified platinum by the Recording Industry Association of America for selling one million copies in the United States. Rush released three singles from the album: "New World Man", which became the band's highest charting single in the United States and a number-one hit in Canada, as well as "Subdivisions" and "Countdown".
The group supported Signals with a concert tour from April 1982 to May 1983. Signals has been reissued several times, including a remaster with a new stereo and 5.1 surround sound mix in 2011.
Genre(s):
Synth-rock, progressive rock, new wave The album peaked at No. 1 in Canada, No. 3 in the United Kingdom, and No. 10 in the United States. In November 1982, the album was certified platinum by the Recording Industry Association of America for selling one million copies in the United States. Rush released three singles from the album: "New World Man", which became the band's highest charting single in the United States and a number-one hit in Canada, as well as "Subdivisions" and "Countdown".
The group supported Signals with a concert tour from April 1982 to May 1983. Signals has been reissued several times, including a remaster with a new stereo and 5.1 surround sound mix in 2011.
Producer(s): Rush, Terry Brown
Length: 43:12
Released: September 9th, 1982
Year: 1982